Bruno Mars’ band member Kameron Whalum keeps things ‘Funky’ as he mentors Memphis musicians – The Commercial Appeal

, Memphis Commercial Appeal Published 6:30 p.m. CT July 26, 2019

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Kameron Whalum has spent time on stage with Bruno Mars and in the studio with Beyoncé. But this summer, the musician was back in his native Memphis to inspire artists at Stax Music Academy. 

Whalum, a Stax Music Academy alum, collaborated with his alma mater as an artist-in-residence to mentor aspiring Memphis musicians. 

On July 12, 19 and 26, the Stax Museum of American Soul Music hosted Funky Fridays: A New Generation of Soul — Kickin’ It With Kameron Whalum, which featured dance lessons, music production workshops and a jam session to end the summer series.

“I haven’t been able to spend a whole lot of time (in Memphis) the past couple of years because the (Bruno Mars) tour was two years long,” said Whalum, 30, a backup singer and trombone player for Bruno Mars. “Since I’ve been back, I’ve kind of dived head first into doing all kinds of stuff, like over at the academy, the museum and church. It’s fun —  I’m loving it.”

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For the final Funky Friday, Whalum — joined by Nick Black, a rising Memphis musician, and Lawrence “Boo” Mitchell, owner of Royal Studios in Memphis — answered questions about music evolution and performed classic songs with local residents.

The trio discussed hardships within their music careers, iconic musicians, funky instruments, Isaac Hayes’ car and more. A major topic of the day was the lasting effect Memphis has on the talent industry. 

“I realized how much Memphis music affected (the Neo Soul movement),” Black said. “This music has been copied and emulated by people all over the world for like 50 years.”

Sometimes artists will call Mitchell and ask for a soulful twist on their songs.

“They just gravitate towards that Memphis sound,” he said. “They want that.”

For the last hour of Funky Friday, Whalum, Black and Mitchell performed Memphis hits like Al Green’s “Love and Happiness” and “Let’s Stay Together” and Rufus Thomas’ “Breakdown” with Stax Academy students and alumni.

Music lovers crowded in Studio A of the Stax Museum, dancing, harmonizing and clapping along. 

The drums shook the room, Black’s guitar notes rang throughout the museum, and Whalum’s trombone tones bounced off the walls. 

The audience jumped around the room to the performers’ last song, “Uptown Funk” by Bruno Mars. The song, which Whalum played on, was partly written and recorded at Royal Studios.

Whalum said he leaves in September for the next Bruno Mars show, but he doesn’t plan to permanently depart Memphis anytime soon. 

“I love the familiarity of Memphis,” Whalum said. “I grew up here, I know people, they know me, I know the area, and everybody feels like family. I want to stay in the area where I established my roots.”

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